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Soundcraft Vi3000 |
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Soundcraft Vi3000
The Soundcraft Vi3000 features an all-new appearance with a more efficiently designed control surface, 36 faders, 24 mono/stereo busses and a sweeping black screen panel with four Vistonics II™ touchscreen interfaces with sleek, updated 3D graphics.
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Скачать: брошюра, введение, руководство, V6.2 Update |
KEY NEW FEATURES
| Virtual Vi offline set up | Set up your shows offline and load them into the Vi3000 via USB |
| VM2 radio mic status monitoring | Monitor the status of HiQnet-compatible AKG radio mics directly from the console surface with realtime visual displays of battery life, RF status, mic muting and internal clipping. |
| Copy/Paste channel bus and FX settings | Dedicated Copy and Paste buttons on the surface allow the settings of any channel, bus or FX section to be copied and pasted, dramatically cutting down the set up time. |
| Copy/Paste processing elements | Operators can drill down to copy and paste even single processing elements, and the last paste operation can always be quickly reversed with an UNDO function. |
| Settings Library | Along with a useful library of EQ and Dynamics settings, operators can store their own settings in the console or to a USB memory stick, making initial set up and transition between shows even easier. |
| Sophisticated Cue List Management | Allows changes to be applied to multiple cues and recall scope to be set per snapshot. |
| Advanced events integration | Cues can trigger or be triggered by MIDI or GPIO events, including MIDI timecode. Harman's HiQnet Venue recall function is tightly integrated within the Cue List. |
| Automated microphone mixing | Post fade inserts provide an extra access point for inserts on every channel for use with external auto mic mixing systems. |
| Snapshot crossfades | Snapshot recalls can use crossfades to transition smoothly from one setting to the next. |
| ViSi Remote iPad® app | Control major functions and optimise your mix from anywhere in the venue. Adjust monitor levels from the stage. |
| All busses to stereo | All busses can be turned to stereo without tying up two busses, providing a massive 24 stereo mix capability – perfect for mixing large monitor applications. |
| 4 Aux send points | With a total of 4 aux send points, monitor mix engineers have the flexibility to tailor mixes more closely to performers' requirements. Sends can be pre-EQ, precompressor, pre-fade or post-fade on a per channel/per bus basis. |
| Aux VCA mode | VCA master faders can control the aux sends of their member channels on a per mix basis, with a FaderGlow illuminating in white to indicate the VCA's operation on the current mix. Monitor engineers can retain control of important global elements such as ambient mics while also having a monitor mix selected and adjusting groups of sources within the current mix using the Aux-VCAs. Blue illumination of FaderGlow indicates that the VCA is controlling the global channel level to all mixes. |
| Auto-increase of ambient mic levels in monitor mixes between songs | Performers using in-ear monitors want to hear the audience between songs. No problem. Vi3000 has the facility to externally control the Gate or Ducking processing from a bus in the console, so all you have to do is insert a ducker on an ambient mic with an external source of the LR bus or a spare bus, and the audience level increases automatically when the performers stop playing. |
Technical Specifications
| Frequency Response | |
| Stagebox Mic input to Line output | +0/-1dB, 20Hz-20kHz |
| AES/EBU In to AES/EBU Out | +0/-0.2dB, 20Hz-20kHz |
| T.H.D. & Noise | |
| 22Hz-22kHz | |
| Stagebox Mic In (min gain) to Local Line Out | <0.003% @ 1kHz |
| Stagebox Mic In (max gain) to Local Line Out | <0.020% @ 1kHz |
| Local Line In to Line Out | <0.003% @ 1kHz |
| Mic Input E.I.N. | <-126dBu (150Ω source) |
| 22Hz-22kHz bandwidth, unweighted | |
| Residual Noise | -91dBu |
| Stagebox line output; no inputs routed, Mix fader @0dB | |
| CMRR, Stagebox Mic input | 80dB @ 1kHz |
| Sampling Frequency | 48kHz |
| Latency | |
| Stagebox Mic Input to Local Line output | < 2ms @48kHz |
| AES/EBU Input Sample Rate | 32-108kHz (with SRC enabled) |
| DSP Resolution | 40-bit floating point |
| Internal Clock Accuracy | < +/- 50ppm |
| Internal Clock Jitter | < +/- 2ns |
| External Sync | BNC Wordclock |
| Input & Output Levels | |
| Mic Inputs | +28dBu max |
| Line Inputs | +22dBu max |
| Line Outputs | +22dBu max |
| Nominal Operating Level | +4dBu (-18dBFS) |
| Input & Output Impedances | |
| Mic Inputs | 2k7Ω |
| All other analogue Inputs | >10kΩ |
| Line Outputs | <75Ω |
| AES/EBU Outputs | 110Ω |
| Oscillator | 20Hz to 20kHz/Pink/White Noise, variable level |
| Stagebox HP Filter | 80Hz fixed, 12dB per octave |
| Channel HP Filter | 20Hz-600Hz, 18dB per octave |
| Channel LP Filter | 1kHz-20kHz, 18dB per octave |
| EQ (Inputs and Bus Outputs) | |
| HF | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 or shelving |
| Hi-Mid | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 |
| Lo-Mid | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 |
| LF | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 or shelving |
| Metering |
Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s. |
| Mains Voltage Operating Range | 90-264V, 47-63Hz, auto-ranging |
| Mains Power Consumption | 300W |
| Temperature/Humidity Range | |
| Operating Temperature Range | 0°C to 45°C (32°F to 113°F) |
| Relative Humidity | 0% - 90%, non-condensing Ta=40°C (104°F) |
| Storage Temperature Range | -20°C to 60°C (-4°F to 140°F) |
